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Saturday, November 26, 2011

Black, White and Gray.

This is something I wrote out for the magazine team I work with, Cabbages and Kings. The next issue we put out is likely to have a theme if we can get enough submissions to match it. I actually wrote this in order to bring the subject some clarity, as we each had different ideas of what it meant. But this is one case where vaguery might help our situation, since your average submitter generally has an idea of what they want their piece to look like well before we get to see it.
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Every piece of visual art created within a black and white color scheme has a certain inherent appeal to it. Stripping all the color out of an image only seems to give it a new sense of clarity; as if the hidden underlying substance of the image has just been revealed. The artistic honesty found in that familiar monochrome palette will be this year’s theme for Cabbages and Kings magazine: Black, White, and Gray.


Now that’s not to say that color will be absent from this issue. Color is often just as honest a form of expression as grayscale, and to omit it would be to omit sincerity. What we’re looking for is a piece’s ability to take opposites and extremes (black and white) and use them to create a full, complete picture, with every new shade and contrast in between.

To truly understand what black, white, and gray represent, one must attempt to really understand his own way of seeing the world. Because essentially, that’s what the theme is: a person’s own beliefs, morals, perceptions, and where their world is clearly defined or left in a state of uncertainty. These are what make up the subjectivity of the human experience. This is what we mean by Black, White, and Gray.

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So I guess the layman writer/artist might have some trouble with this one. No worries. I'll try to come up with something matching this concept, and probably post a draft here when it comes to be. 

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